Every game is a hub — the studio that built it, the publisher shipping it, investors backing it, creators streaming it, journalists covering it. The ecosystem is what makes the game more fundable, more discoverable and more playable. How were you involved?
二〇二六年，东京湾超大地震，弓形列岛开始了缓慢的沉没。 身患绝症的少女·樱叶栞，反而在灾难中看到了新生的希望。 二〇二八年的某一天，日本沉没一周年。网文写手·柳生和泉（本名：刘虹桥），在自家大院撞上了某一难民。于此同时，姓名奇特的麻将少女·吕南雀十三幺，从遥远的南方乘硬座前来投奔柳生。
The press kit for Artemis：We Are Escape is visible to press, creators, investors, and the studio team. Press and creators receive a link with an outreach token; the kit appears here inline — no download, no separate page.
